Showing posts with label wharton. Show all posts
Showing posts with label wharton. Show all posts

Tuesday, 9 April 2013

The Classics Club: Xingu, by E. Wharton

When one is under a sick spell, one should stick to simple, short and entertaining stories:  when I found myself recently under a heavy bout of tracheitis I turned to Xingu, by E. Wharton to ease my pain.  It delivered:  a cynical but very, very entertaining little story, perfect for my predicament...

Here I have to admit I was slightly apprehensive:  I had started on the wrong foot with Wharton, and I knew this would not be an easy task.  I should not have feared:  I now know that Wharton is more than  one piece of literature.

What is Xingu?  well, we get to learn that at the very end of the story and this serves only to highlight the main point:  the superficiality of "good society"... Because the story is about a book club, where only the "chosen" ones get to belong to, where only the "wise" get to showcase their books and where those who belong to neither cast get to show their wealth.  It rang some bells with me, as I belong to two book clubs - and while there is nothing remotely similar to Xingu, I could recognise some instances I may have encountered myself (I'll leave it to this...)

The ladies of the book club are eagerly waiting the arrival of a famous author, to discuss her latest book.  We are given the characteristics (i.e. the vulnerable attributes) of everyone in the  group and we get an insight into their habits:  we get to know Mrs. Plinth, the distinguished member, in particular.  Looking down on everyone, she is the epitome of the "nerd-type" party of a literary group, a person who sees as their ultimate goal to make a name for a well-educated, industrious and valuable member (or a book club or society in general).   She declares:

"Amusement is hardly what I look for in my choice of books"

No, of course not.  One has to toil, or at least to make others thinks so.  Because when in another instance a question is posed, our dear Mrs. Plinth is revealed to utterly dislike

"...  being asked her opinion of a book.  Books were written to read; if one read them what more could be expected?  To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House"

Now, I have met such people, I have to admit.  And I have seen this struggle to pretend to being something more.   Something greater.  Something higher.  And it just won't work.  There will always be a black sheep (hello, Mrs. Roby), who will basically form part of this group by accident.  But she will never strive to prove her worth against her fellow members. She is content with what she is and does, and will not hesitate to show how well she knows the others by playing a nice little farce.  A farce so well executed, she will even fool the distinguished guest.  The guest who will recognise Mrs. Roby's genius and will leave the whole group to further engage in a discussion with her.  Double the trouble then:  the group agree it's time they let Mrs. Roby go.  They shan't be made to look like fools by someone who is not deemed suitable to "participate in the mental gymnastics of the club".

And so, order is back:  everyone in the group will have their distinct role to play, and there will be no more disruptions by "outsiders".  Yes, it's all coming back to me, I knew I recognised this story...





Xingu is available for free on Project Gutenberg.  This post will also be published on Project Gutenberg Project.

Monday, 4 June 2012

The Classics Club: Ethan Frome


If I wanted to be super-cynical, I could summarise reading Ethan Frome by Edith Wharton as follows:  Ethan is an unlucky man, misses out on his opportunity to fulfil his potential, marries out of obligation, meets Mattie and is infatuated with her, has deliberate accident, which leaves Mattie paralysed.  Poor Ethan now has to continue his miserable life looking out for both his sickly wife and for Mattie.

Of course there is more to the novel, but I found I could connect to none of the characters, and reading was just a nuisance.  Finishing was actually a relief but also a puzzle, as I had not understood what the point of the story was.

The story begins with a narrator who comes to Starkfield, wanting to find out about one of the local characters, Ethan Frome, who had a tragic accident about 20 years earlier.  From then on, the story goes back to that point in time, and narrates Ethan's life in a secluded, run-down farm.  It goes on to describe the triangle between Ethan and his wife Zeena on the one hand, a woman who tried to nurse Ethan's sickly mother, only to become one herself shortly afterwards.  She has been "oppressing" Ethan ever since their marriage, and while sickly, it's clear she dominates the household.


Things could start to look rosier when Zeena's cousin, Mattie, arrives to help with the household.  Ethan sees in her the spark of youth and unselfishness.  He falls helplessly in love with her, but he cannot escape being mastered by the social and moral constraints. On the one night they find themselves alone, they do... nothing! They cannot ever bring themselves to express their affection to one another, and on top of everything else, Zeena's favourite pickle dish is shattered to pieces...


When Zeena announces that she will replace Mattie with a more efficient girl, Ethan's world falls apart.  He considers eloping with Mattie but almost immediately realises there's no way society will let him escape his destiny... Ethan decides to bring Mattie himself to the train station - on the way there, they stop at the crest of the village in order to have a sledding adventure - Mattie sees no exit strategy in their situation but a deadly encounter with the elm tree at the end of the  hill.  The result is not what they wished for.  Fast forward twenty years to present day, and the narrator lodges with a Mrs. Hale, together with whom he mourns the state of "cursed" Ethan Frome, caring for these two women.

The story could provide so much material for ups and downs in the narration.  And yet, I could feel no tension while reading, as I would have expected given the miserable circumstances - in fact, I could see no action taking place at all!  It was this sense of "inactivity" that most probably unnerved me.  The characters of Zeena and Mattie are only partially developed, as Mattie is simply described through the eyes of Ethan and Zeena is just the unsympathetic copy of Ethan's mother.  Only Ethan is properly described in depth, and I could see his thoughts, his initial ambitions, the missed opportunities that could have led to a different outcome... 
The overall justification for his inactivity falls, apart from society's imposed moral conduct, also on the harsh weather conditions, and their effect on the human psyche (Ethan is described as having "been to Starkfield too many winters") - something I cannot agree with (plus, I doubt that Wharton had any experience on the subject and this actually shows in her story-telling).  I could see how a sensitive person like Ethan could be overwhelmed by the elements, but I had real difficulty explaining his whole life solely from this fact.  All in all, I felt it was not a well narrated story, it left nothing to yearn for and I'm afraid in a few months' time it will have been removed from my memory.

I had read a lot about Edith Wharton, and had long wanted to read her work.  I'm afraid though that reading Ethan Frome as a first novel may not have been the best choice.  It's not often that I feel so uneasy about a book  I've read and I hope it does not happen often...

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